4.21.2009

Do I Enjoy Writing?

I just finished Haruki Murakami's book on running, "What I Talk About When I Talk About Running," which is actually a book about novel writing, disguised as a book on running.

What struck me the most about it, was that as you read it, not once is there a single moment where Murakami enjoys running, at least in the traditional sense where you have a big smile on your face while you're doing something. The entire book is about pain management and self-discipline, which sounds terribly dry and unenjoyable. It's also a book about failure, about the countless events Murakami enters and doesn't do quite as well as expected. (And where he gets kicked in the side by competitors, and where he hyperventilates, and where 18-year-old Harvard girls with ponytails speed past him.) Unless you're a novelist (or a marathon runner, for that matter), and you sort of get it, any sensible person would be less inclined to take up long-distance running or novel-writing than before reading the book.

As a novelist, though, and as someone who has participated in a triathalon, not to mention the countless hiking and mountain biking "adventures" I've put myself through, I kind of get what Murakami is saying. When you're on mile 19 of a marathon, or when you're deep in concentration on a novel, you literally are not there to enjoy it. The part of our weird human split-brains that can analyze a task while performing it doesn't exist. You are literally one with the writing or the running--there isn't a you to feel any sort of emotion towards what you are doing.

Like I said, there's no enjoyment while this is taking place. If an outside observer were to take a look at your face while you were experiencing this, they would observe that you have a grimace on your face, and look like you're deep in thought.

And yet, when you're done and you come back to normal reality, where the left half of your brain splits off with your right half, you feel, well, there's no other good way to put it--laid.

Labels: , ,

3.19.2009

Last Trip to Colony House

Labels:

3.17.2009

Bridging the Gap

After almost five years, I've finally managed to pull together all the threads of the novel. The last three chapters that I wrote brings me from the beginning of the novel all the way to the end. I still have to tweak the final 75 pages (and hopefully shorten them) but all the fear that I'll never get it right has finally vanished. It's so awesome to be here...


Labels:

3.13.2009

One More Week

Too many words...

Labels:

3.09.2009

Rounding Third

I'm pretty much three-quarters done with the novel, but it's going to be nearly impossible to finish it up in two weeks. Looks like I'm going to be out at home plate.

Labels:

2.26.2009

The Bean Counter

Sigh. I went through several rewrites of the next chapter. Hopefully, I won't have to do this too many times with future material.

Labels:

2.24.2009

Eight Years of Failure

No, this is not a diatribe about the Bush Administration, although the fact that the years of which I speak coincide is not entirely coincidental. This is about my personal failure, about the incredible waste of time that has been my writing life from the autumn of 2000 to the present.

I don't want your pity for this. I'm not going Morrissey. I am depressed about it, but the depression is tempered with realism, with the bare facts. I've produced nothing publishable in eight years, despite constantly being at work.

I have a three-hundred page novel manuscript called Silver, which devolved into a long instant message conversation between a guy and his gay college roommate about the sad state of American politics. I'm also on the ninth draft of what would have been a rather prescient novel, had I published it in 2004 when I first intended to complete it. It revolves around a preacher with an uncanny resemblance to like Rev. Wright, who bears an uncanny ethnic background to Barack Obama, whose brought to fame by an artist and zinester who shares Shepard Fairey's propaganda mentality (the artist who generated Obama's famous Hope logo). If I had published the book on time, I'd be considered some sort of prophet, which is also ironic, given that "Prophet" is part of the manuscript's title.

While I have nothing to show for these eight years, I have not been left without wisdom. I know where I've gone wrong. There are going to be those Anthony DeMello new-age, mind-over-matter types who will argue with me, but I know myself and what makes me happy, and there's only one way for me to write a novel, and that's the Proustian way: I can only write about life when I'm not living it.

For the last eight years, I've tried raising two kids, consulting for my wife's business, and writing a novel. I've had time to work—plenty of it—babysitters and daycare and a hard-working wife, but my focus always seems to be elsewhere, and without laser-focus my writing has an airy quality, as if the writer isn't fully there. On top of that, I've been miserable (and making my wife and kids miserable in the process), always berating myself for not getting anything done.

The majority of my first novel, World Leader Pretend, was written when I left an active social life in San Francisco, and moved in with my parents, who lived in a retirement community in Northern Arizona. I wrote like mad, mountain biked all over the Prescott N.F., and more importantly, was more at peace with myself than I've ever been in my life. Recently, I've taken trips to the Oregon Writers Colony, where I again, wrote like mad, took long walks on the beach three times a day, and felt reunited with my muse, who I hadn't seen in a long time.

The conclusion I've come to is this: after I finish this novel (and I'm going back to the Oregon Writers Colony in order to finish it) I'm not going to write another without giving it my complete attention. It may be years before I can do that, but at least I'll be living life in the meantime.

It may have been eight years of failure, but hey, I still have hope.

Labels:

2.19.2009

An Impressive Days Work

Labels:

Oregon Writers Colony Take 2



And much trimming was done...

Labels:

2.08.2009

Total After the Weekend

Labels:

2.04.2009

Getting Work Done at the Oregon Writers Colony

Last night's finishing word count is awesome. Have to try and maintain the pace today.

Labels:

1.29.2009

Today's Work

Hard to explain how I got further from the end today. Will likely be cutting out a bunch of pages tomorrow, so by the end of day tomorrow I'm hoping to see some progress.

Labels:

Word Count

I found this geeky word counter to help me keep track of where I'm at with the latest rewrite of my next novel. It will likely only depress me, seeing how much more I have to go, and how slow the progress is, but you never know. The idea is to post it every day... we'll see how that goes.

Both the words completed and the target will change, as I add or delete material...

This was what I started at today.

Labels:

1.09.2009

How to Structure your Novel

Yesterday evening, I had the occasion to sit next to a very prolific, well-published NW fiction writer. He had with him a classic book written for girls, which, given his tough-guy reputation, one would not expect him to have. I asked him what the book was for. He said, "Oh, it's the structure of my next novel."

This seemed like something I should have thought of before, using the structure of a simply-written book to structure my own work, and so I asked him if he did this before writing all his novels. He didn't answer me directly, rather he said, "it allows me to focus on the content."

Given my own recent struggles with structure, I wonder if this isn't sage advice for just about anyone.

Labels:

12.29.2008

On Giving My Laptop a Vasectomy

I have an Internet addiction. In fact, I wrote an entire novel about Internet addiction. You would think, after several years, I would have developed the proper coping mechanism for said addiction, but alas, I have not.

And so, during a particularly devastating period of writers' block, in which procrastination levels, and thus Web surfing, were redlining, I bought a precision screwdriver set and played a game of Operation with my laptop.

I followed some random instructions that I found online, cracked it open, removed the internal wireless card, put Band-aids (electrical tape) around the two loose leads, and closed up the machine. The operation was surprisingly uneventful and successful, and I have been going to coffee shops with the eunuch ever since, my writers' block gone and my spirits elevated. Addiction-free.

It seems like there's a moral to this story, but it's not coming to me right now. Maybe, someone can suggest one in the comments...

Labels:

12.18.2008

The Secret to Ray Bradbury's Writing Success

My former advisor and good friend, Lewis Buzbee, who authored a much acclaimed book of essays about bookstores, called The Yellow Lighted Bookshop, likes to tell the story of a lunch he had with Ray Bradbury, back when Lewis was a college freshman. A few interested students were invited to dine with Mr. Bradbury after a reading he gave at UCSB, Buzbee among them. After they were finished, the rest of the students scampered off, leaving Buzbee alone with the author.

It turned out that Mr. Bradbury didn't drive, and that his train didn't leave for several hours, so he invited Buzbee to join him on the lawn. After a lengthy conversation, Buzbee asked Mr. Bradbury the secret of his success. Mr. Bradbury hesitated for a moment, looking over the lagoon, and then gave his answer:

Sandwiches.

You see, you can eat a sandwich with one hand, and read with the other, so you never lose the story. Bradbury might have a screw loose, but you can't argue with an author that prolific. Since hearing Buzbee's story, I've taken to turkey, swiss, mayo, and a well-salted tomato.

Labels:

7.24.2007

Nick Cave's Creative Process

6.26.2007

Bridging the Gap

I don't know how this is even possible, but somehow, when I'm writing novels, I never know when I'm going to be done with a draft until the very moment it is done. This seems impossible, after all, can't I see the ending coming?

But I never do. I'm just writing, thinking I have days and weeks left to write, when suddenly I realize I'm done.

Now most of this is because my writing process doesn't involve writing a novel straight through from start to finish. When I begin a novel it's all excitement and whirlwind and fury, I madly scribble for four or five months until one day I wake up at around page three-hundred and realize that I have to start tieing everything up. This always causes panic and disillusionment, and I usually write another fifty pages of absolute garbage before I decide that what I really need to do is write the ending of the novel.

And so I do this, I write the ending of the novel. And generally this is pretty fun too.

That's when the real fear begins, and that's when things get excruciating and painful, because I now have to take all the build-up and guide it to the book's conclusion. Doing this is the real work of a novelist. Some writers, some very well-respected writers, never do this. And to be honest, I think they should all get bitch-slapped for it. Many of the "hot" literary stars--David Foster Wallace and Dave Eggers being the worst offenders--they just write the fun stuff and ignore the excruciatingly difficult tying together part of writing. I can't blame them for doing it, as it cuts out about five-sixths of the work, and they get paid the same either way, but that empty feeling that their readers feel, it's because deep down somewhere they know that DFW and DE are big cheaters.

But me, I'm a purist (and deluded as well), and so I've been working on my novel for the last two and a half years, trying to connect this novel's point A to its point B. I have tried, and failed, five times to do it right. Each time the novel went off in some unwanted direction, and the gap between the opening three hundred pages of the novel and the last fifty was never breached.

Well, yesterday I bridged the gap. I actually did so not by adding pages, but by subtracting them. I was frustrated, trying to figure out what the next scene should be, when I decided that I needed to rid myself of the four pages I had just written. I deleted the four pages, and then, low and behold, I realized that I could simply start with the scene that comprised the ending of the novel.

I would need to do a little clean-up, but more or less the narrative arc of my novel was complete. I was now done with Draft Seven, the first real draft of VMP. (Granted, the ending still needed to be altered to fit the changed direction of the story, so technically the draft wasn't done, but the great mental blockade had been wrecking balled, and besides that I should go back and read the whole thing to see exactly how the ending needed to be changed.)

Labels:

6.20.2007

Can't Blog. Writing.

Sorry fans of L.O.A.N. Still working on the seventh draft of VMP. We have narrative arc! No time for much else. Baby launch to come soon as well...

Labels:

5.23.2007

Too Many Journals

It occurs to me that I'm attempting to maintain one too many forms of writing. I have the novel that I'm working on, the ever-changing outline to that novel, this blog, a writing journal, a running journal, and the journal I maintain for my daughter. I always feel I'm neglecting one or all of these, and it's no wonder: what am I doing writing all these journals?

Despite the fact that it's terribly boring, I've decided to cut and paste the last ten days of my writing journal here today just so that I don't have to bother adding a creative blog entry. Perhaps it will be of some interest to other writers to see what another writer's daily writing journey is like...
5/14/07

Left the house at 8. Got a cup of Stumptown. Arrived at the office just before 9. Dicked around the Internet until about 9:30 before settling in. Went through some pages that I’d written on Friday and changed a few things. Flipped through the beginning of the next scene which I intended to keep, before working on the new ending to the Bridge of the Gods scene. At 10:30 got hungry and went down to get a breakfast burrito. Ate and listened to Pandora until about 11:10. Started writing again and wrote out a new dialogue to the end of the Bridge of the Gods scene, making it so that Mercyx questions Flynn’s sincerity, judged by the way he makes fun of Booker in his comics. Mercyx tells Flynn about the Jebus, and Flynn inadvertently laughs. Mercyx rides off. I wrote this straight through to 12:30—took a bathroom break and a trip downstairs for a soda. It’s now 12:40. Got through 15 pages and wrote over 1,000 words. Going for a long run and then will probably can the writing for the day.

5/15/07

Had trouble getting settled today for some reason. Didn’t start writing until 10:30—sort of dicked around the Internet. Cut some material and sutured some material back in, trying to write the minimal amount of material to grow the conflict between the comic and Booker. Added 2.5 pages and 300 words between 10:30 and 1:45. Going to pay some bills, do some nitpicky things and call it a day.

5/16/07

Got out of the house early this morning and began working without too much of the usual websurfing. Started writing at 8. Wrote slowly today, but the writing seemed stronger than I can remember it being in a long while. Wrote a lovely description of Douglas Yamhill’s Ben Dover books to begin a new sequence where Dougie suggests to Flynn that he not write down Booker’s speeches word-for-word but rather that he reinterpret it.
Added 4 pages, most of it new with a little cut and pasting of a description of Dougie that had been cut out earlier. 750 words. Ended writing at 10:30… going for a run and then have to get Ava at 1.

5/17/07

Got a very late start today. I really need to reduce the procrastination. Walking the dog and making coffee is one thing, but I really don’t need to spend 30 minutes on Sportsline.com. Still, I started at 11 and wrote relatively close to straight through to 1:15, adding 5 pages and 1,000 plus words. The scene at Ben Dover books is getting longish, I wonder how it will work with the pacing. Still, good to be adding a needed scene. Going to eat lunch now and then do some tic-tacky things.

5/21/07
Took the 18th off to go hiking on my birthday. Stayed home today and started writing early—around 8 A.M.—without too much web surfing. Finished out the Ben Dover Books section around 9. Did some laundry and then got caught imagining PCT trip. Didn’t get writing again until 10. Wrote a transitional section about bridges. This finishes Scene 14 on the outline. Tomorrow I will begin a rewrite of the next Booker sermon on authenticity. This will take some focus and doing. Wrote 3.5 pages today and 850 words. (No recycled material.) It’s 11:30 now… have to get Ava at 1.

5/22/07

Big zero today. Just couldn’t get it together. Had to take Ava into school at 9. Got home, got all my stuff together, put my laundry away, and finally managed to get out of the house close to 10. Got to my office at 10:30 to the sound of very loud construction. Farted around for fifteen minutes before deciding to run some errands. Returned a lamp, got some library books, and then got a call from Andrea offering to pick me up and drive me home. Figured it was a good idea, given the noise at my office. She decided to take a long lunch, much to my chagrin, and I didn’t get home until 1:30. By then I was depressed and sat around reading my new books until I had to get Ava at 3:45. Sigh…

5/23/07

Set down at the computer around 7 today. Spent an hour dicking around. (I’m very obsessed with this potential hiking trip that I want to do with Joe—the Northern Loop on Mt. Rainier.) Getting to writing was difficult—I needed to make sure the continuity between this speech and others before it was right, and revising this sermon seemed daunting, but eventually I got started. Wrote an intro to the sermon introducing how Flynn was beginning to see Booker as a real preacher, added a quick ditty about the Portland weather (a habit at the beginning of these sermons—is there some reason why I’m including them), pointed out the growing discomfort between Flynn and Booker, and then had the lesbians break the tension by arriving on the scene. I added 930 pages, and then pasted in a bit of stuff from previous introduction of the lesbians to Flynn. A total of 4.5 pages with 2 pages of cuts. Finished writing at 11:45. (Total length of novel has gone down to 440 pages from previous versions.)

Labels:

5.14.2007

On Draft #7, Zadie Smith's Book On Beauty, and a Second Post about Honorable Failure

It was interesting reading Zadie Smith's book On Beauty immediately after reading an article by her titled Fail Better about how author's tend to drift away from their original purpose when writing a novel. (Sorry, the link to that article is dead. It was originally printed in the Jan. 20th edition of the UK Guardian.)

The novel was incredibly ambitious. It tackled topics as diverse as affirmative action in American colleges, interracial marriage, the psychological effects of religious belief and/or disbelief, and the way American's perceive beauty. It was philosophical, yet carried enough of a thread of a plot to keep the reader interested. It had all the makings of a work of great literature, and then, well, then it dissolved into a very tangled story of dirty fifty-something college professors (yes, that's plural) sleeping with YES, FUCK ME undergrads.

This isn't to knock the book. It was definitely on the verge of greatness--it just, well, got lost in its own expansiveness and needed a quick and cheap ending.

Anyway, I'm not writing this to knock Zadie Smith, who is an ungodly talented writer, but rather myself. I'm deep into what is now the seventh draft of my next novel. It was intended to be an expansive treatise on what's wrong with religion in America. I had written six-hundred odd pages, most of which was my main character going off on tirades, and the plot wasn't even close to tying together.

I've been, honestly, very close to complete dispair and utter defeat. But after taking three months off from writing, I came to the realization that despite the fact that most novels are generally some 60,000 plus words, the great works of literature generally only make one or two simple points. I'd been trying to make hundreds...

On the surface, it seems ludicrous that a novel can only make a couple of points. If I'm simply trying to make the point that:

1) The way Americans think about religion needs to drastically change.
and
2) My generation's ironic and fatalistic outlook is putting the world at great peril.

it would seem that I could do so in a few paragraphs--why do I need to write a whole novel? Well--that's just it--it often takes some 60,000 plus words to convince someone of something. As adaptive as we are, humans are still resistant to change--it takes a novel and then some to get us to alter our behaviors.

So anyway, I'm dropping nukes on the suburban sprawl that my novel has become, and trying to keep the book entertaining while I make a few points. Let's hope whatever emerges isn't too mutated for publication.

Labels: ,

4.30.2007

Back to the Drawing Board

After three months of doing nothing but largely fruitless self-promotion for World Leader Pretend, I finally got back to the writing table last week.

Being away from a novel for three months is frightening, because each week away equivocates to about a day of fiddling about trying to recall what the heck one was trying to do with the novel anyway. I ended up fiddling about for the last two weeks--in a maddeningly bored manner--but I've arrived at some sort of working outline with which to guide me through. Last Wednesday I started writing again, and although I feel rusty and clunky, a few grains of magic seemed to sift through.

Labels:

2.07.2007

It is Finished

Today, when I arrived home from a long and trying day, I found a padded manila envelope tucked behind the ratty green couch on my front porch. The envelope came to me unheralded, and I wondered what was inside. I opened it, and inside I found two copies of World Leader Pretend. Not proofs or review copies, but the actual finished product.

I remember running through Golden Gate Park seven years ago, mad at myself because I had spent the day playing a worthless online game, rather than doing my homework for gradutate school. An idea caught me, while I was running, that maybe I should write a book about the addiction. My hair stood on end. Yes, that's it, I thought. And I started, and seven years later...

It is finished.

I don't think I'll read the copies. Whatever value my book might have, it is now up to readers and critics to decide upon. I will read at a few book stores, send out press releases, paste on stickers, but I will not write any more. There are flaws--some self-generated and some generated by the publishing process--but those flaws are now a part of it. There is nothing left for me to fix or to fight for. It is finished. And for a brief moment, on a rainy night in Portland, Oregon, I'm going to sit at my desk alone, sip a glass of wine, and relish this.

Labels: ,

1.25.2007

Honorable Failure

A friend sent me a wonderful essay by Zadie Smith about why there are so few "great" novels published, and I've been crunching on it for a week now.

The part that struck me the most was the following:
Great styles represent the interface of "world" and "I", and the very notion of such an interface being different in kind and quality from your own is where the power of fiction resides. Writers fail us when that interface is tailored to our needs, when it panders to the generalities of its day, when it offers us a world it knows we will accept having already seen it on the television. Bad writing does nothing, changes nothing, educates no emotions, rewires no inner circuitry - we close its covers with the same metaphysical confidence in the universality of our own interface as we did when we opened it. But great writing - great writing forces you to submit to its vision. You spend the morning reading Chekhov and in the afternoon, walking through your neighbourhood, the world has turned Chekhovian; the waitress in the cafe offers a non- sequitur, a dog dances in the street.
I post this mostly because this is what I attempted to do with World Leader Pretend. I set out to write a book whose reality was a tad bit unreal. My first review was bad (It was very typical New York snark--I won't do it the dignity of a link) but what was strange about it, was that what the reviewer disliked about the book was precisely the thing I was trying to accomplish. The reviewer called the book "messy," to which I say YES! ABSOLUTELY! SO REFRESHINGLY MESSY! The reviewer called the characters "schematic," to which I say YES! A GOOD WORD! THE MAIN CHARACTER SEES THE WORLD IN MATH AND SO THE BOOK'S WORLD IS THAT WAY TOO!

I seemed to have gotten the reviewer to "submit to my vision." So in a way, I accomplished one of the supposed goals of great fiction. The only problem is that the reviewer didn't think much of my vision...

Labels: , ,

1.15.2007

Drafts in the Computer Age

The concept of "drafts" began pre-computer age. When you typed out your novel--if it didn't come out perfect the first time--you had to go back and retype the whole thing. Thus, a second, third, fourth,...umpteenth, final draft.

These days "drafts" don't follow the same easy numerical sequence. For example, in the new novel I'm working on, I tell people I'm on a sixth draft, but I have never actually gone back and rewritten the whole thing word-for-word. The first half of the novel is largely intact, the way I wrote it the first time with some minor clean-up. Meanwhile, the second half has been tweaked six times, although the truth is that in none of those drafts did I actually make it all the way through. There was always a point where I stopped, knowing it wasn't quite right, and started a new draft.

So depending on one's viewpoint, I could say that I still haven't finished a first draft, after working on this book for two and a half years. Or I could say that I'm working on a sixth draft, which makes me feel much better.

Labels:

1.02.2007

Yet Another Bad Idea

In case you were following the progress of my second novel, writing the novel backwards turned out to be a terrible idea. It's back to square one for the New Year...

Labels:

12.03.2006

If At First You Don't Succeed, Try Doing It Backwards

Last week, I reached that point (once again) in my rewrite of my new novel where the story seemed to die. It was frustrating, being at that point again, and so Monday and Tuesday of last week were very dark days, where I contemplated putting my head in the microwave. On Wednesday, though, I had a sort of revelation: if you're having so much trouble writing the story forwards, why not try writing the story backwards.

Dna os tahw I did saw siht:

I'd already written an ending to the novel, that I knew needed to be modified, so I went ahead and rewrote the last chapter. This worked so well, and felt so right, that I rewrote the second to last chapter, and the third, and the fourth. In the course of Wednesday, Thursday, and Friday, I rewrote 100 pages.

I'm pretty excited. At this point, I might actually have a workable draft before Xmas, and can get it into the hands of a few editors for the holidays...

Labels:

11.24.2006

Karmic Fears

My wife and I had an eerily successful Thanksgiving dinner last night. All our guests arrived on time. Everything was cooked and on the table at precisely 4 P.M. All kitchen mishaps were minor. We made three pies, none of which fell. Our daughter was cheerful and charming. My brother told funny stories. The dog lapped up the table scraps. No one drank too much. The neighbors stopped by and joined us for dessert. My mother-in-law did all the dishes.

I feel like something horrible is going to happen. I'm going to avoid major thoroughfares for a week.

Labels:

11.21.2006

On Setting Lofty Goals

For those of you sitting on pins and needles wondering if I was going to make my 50,000 word goal for NaNoWriMo, it is now official: I failed. I have good excuses for this--I became more involved in publicity for World Leader Pretend; I went off with the wife for a much needed work-free weekend; my mother-in-law is in town--but mostly I just failed.

This won't, however, deter me from setting lofty goals in the future. I find that I have about a 10% return on lofty goals, and the only way to get to that 10%, is to fail 9 times first. For example, when I'm quitting smoking, I have to quit for about nine days in a row, before the accumulated horror of prematurely shortening my life sinks into my brain long enough for me to actually run the cigarettes under the faucet. (And not go out two hours later and buy more...)

Most people do not seem to operate this way. If they don't succeed the first time, it gets progressively harder for them to succeed. For me, though, the sheer volume of failures has given me confidence. I am actually happy that I've failed, because today, I can make a new goal, and because I fucked up the last one, I'm much more likely to accomplish it this time around.

I never thought I'd say this, but maybe Nietzsche was right.

Labels:

11.06.2006

The Bones are Strong; It's the Connective Tissue that Gets Old

The trouble with editing a novel in which the plot has gone awry is that when you rearrange your material to make the plot work, you have to rewrite all the connective material--all the entrances and exits from scenes.

My father was an orthepedic surgeon, and the hardest part of his job wasn't putting bones back together--a clean break of the forearm is pretty much a matter of snapping the bone back in place and tossing on some plaster--the hardest part was working with ligaments, like in a hyperextended knee, where connective tissue had been stretched beyond their limits. You have to really get in there, delicately unattaching and reattaching the parts that make the knee work.

You catch my drift...it's hard work, and not as rewarding as when you write your primary material. You have to write stuff that's interesting enough to carry the story forward, but not so interesting that you end up with a 600-page novel.

Labels:

11.02.2006

Take One Ritalin Every Morning While Editing, With Coffee, Beware Mood Swings

I've recognized, for quite some time, that I have symptoms of ADD. I didn't do anything about this for many, many years. I had several reasons for this: the stigma of mental illness; the potential loss of health insurance; the pill-pushing of the pharmaceutical industry; the fear that medication would dull an active mind. There is also a part of me that recognizes the link between ADD and creativity--I would never have become a writer were it not for my bouncy, bouncy mind.

Still the symptoms of ADD--difficulty in concentration, excessive daydreaming, an inability to complete tasks, the misplacing of everything--have plagued me my entire life, and as I've gotten older and have taken on more and more responsibilities, these symptons have become a hindrance to my marriage, my child rearing, and yes, my ability to write.

So I went to the doctor to try and get some pills.

Now, I'm no stranger to amphetamines--I have a sister with schizophrenia, have spent time with other bipolars, and, um, have experimented a tad myself--so I'm aware of the potential pitfalls of Ritalin and Adderall. I know that it's just FDA-approved and regulated crack. And I've seen people go completely nutso on it. I mean completely nuts. They don't think they're nuts--they feel euphoric and great, in fact. And they can concentrate for hours... in fact I've had one speak to me for three hours straight without pausing for a breath.

And yet, the things that a small amount of amphetamine allow you to do--to keep a narrow focus and to give attention to humdrum tasks--things like cleaning the house, or doing the dishes, or paying attention to my daughter at the playground rather than spacing out, these are things that I absolutely have to be able to do or my wife will divorce me and my daughter will crack her head open.

So I got the pills.

The doctor had a ridiculous notion about how I was to take them. I was supposed to take one pill, twice a day, for a week. Then two pills, twice a day, for the next week. Then four pills, twice a day, for a week. After doing this, I was supposed to determine which dosage was the best dosage for me.

Like I said, I'm no stranger to amphetamines. If I followed her instructions, by the time I was taking four pills, twice a day, I would be clinically insane, and not only would I be clinically insane, but I would also be completely convinced that four pills, twice a day, was the best dosage for me. (Actually, maybe eight pills, three times a day, just GIVE ME MORE OF THIS SHIT!)

I filled my prescription and decided to do my own experimentation. I took one pill on a day when the house needed a thorough cleaning. It worked. Sort of. A couple of rooms got really, really clean. Spotless. All the lint out of the corners and out from under the dressers. But I only managed to clean two rooms in the space of five hours.

Next, I decided to take one pill (my prescription is for Ritalin, 5 mg) on a day when I had errands to run with my daughter. I felt really good, really on top of things. (Amphetamines! Euphoria!) I went down my list, one item at a time. I was getting things done... until I went to the grocery store. I've never been a label reader. On Ritalin, I'm a label reader. This can of beans costs .08 cents an ounce, the other .09 cents, but one has added High Fructose Corn Syrup, and the other does not. And this one has kombu seaweed in it--an anti-flatulent; which is good when you're a vegetarian who eats a lot of beans. Hmmmm...

Oh shit. Ava's standing up in the grocery cart, precariously hanging over the edge...

I put the pills away.

But then came last summer. I got World Leader Pretend back from my publisher and they wanted me to cut the book by a third. The task was daunting. I stared at the proposed changes for weeks, and found myself unable to start in on it. There were many elements to my mental block--too many to go into here--but a big portion of it was that I was no longer interested in the book: I'd finished it, in my own mind, years ago. The idea of editing it was boring, and as someone with symptoms of ADD, doing something boring is hard to do.

I took the pills back out.

And this time, for this particular task, I found the Ritalin helpful. Because I was dealing with cutting an immense amount of material, I need to have a diamond-sharp, extremely patient eye, something I simply couldn't do with material that, for me, was dated. I had to have the attention to attend to the fact that cutting something on page 50, meant changes on pages 124, 187, and 345, and I had to be able to spend 20 minutes flipping through the document to find these pages where these changes needed to be made.

So I guess what I'm saying is that my Ritalin, as I attend to a fifth draft of A Very Minor Prophet, has come back out of its amber container. The draft is a big cut-and-paste job, taking appropriate material out of previous drafts and fitting it into this one. Because of this, it takes a great deal of narrow attention to boring detail. I have to go back and find some material that I wrote in the third draft and insert it into a different place in the fifth one. It's excruciating. But not so bad with the Ritalin. (Be careful, be very careful, Jim...)

Labels:

10.30.2006

NaNoWriMo

I've decided to participate in NaNoWriMo this year, albeit in my own cheatin' way. That is to say, I'm going to attempt to rewrite the second half of my book in a month as opposed to writing 50,000 new words. Still, since it's taken me 2 1/2 years to write four drafts of this thing, and I've never quite managed to get through the second half of the book, this is going to be a difficult task...

Labels:

10.25.2006

How Not Doing a Damn Thing Can Take Up a Great Deal of Time

I'm back to grinding out a fifth draft of A Very Minor Prophet. I outlined the changes I wanted to make to the last draft, and as I'm going through making these changes, I'm finding that I'm spending hours reading through, deliberating, and ultimately deciding not to make the changes I proposed in my outline. Don't get me wrong, I am making changes here and there, but the changes involve less actual deleting and rewriting than I thought I needed to do. (Although, these small changes are having a severe effect on plot.)

The end result--though good and positive--is a little depressing, seeing as I'll spend days literally deciding not to do any work...

Labels:

6.09.2006

Novel Update

The draft is nearing completion--it looks like I'll meet my end-of-June goal. I've finally got the story arc down, although in the act of getting it down the writing took a hit. I'll be doing another draft starting in August, now that I have the meat of the story down, I'm looking forward to dressing it up.

Labels:

3.20.2006

An explanation as to why my blog has gotten kind of boring

Neil Gaiman kept a journal like mine when he was in the process of publishing American Gods. I've been lamenting the state of my blog lately--it's pretty darn boring writing about the mental processes of being a writer. Neil Gaimen had this to say about it:
I first suggested we do something like this to my editor, the redoubtable Jennifer Hershey, about a year ago, while the book was still being written (a process that continued until about 3 weeks ago). She preferred to wait until the book was on the conveyor belt to actual publication, thus sparing the reading world lots of entries like "Feb 13th: wrote some stuff. It was crap." and "Feb 14th: wrote some brilliant stuff. This is going to be such a good novel. Honest it is." followed by "Feb 15th. no, it's crap" and so on. It was a bit like wrestling a bear. Some days I was on top. Most days, the bear was on top. So you missed watching an author staring in bafflement as the manuscript got longer and longer, and the deadlines flew about like dry leaves in a gale, and the book remained unfinished.

Labels:

No More Slogging

That last post has been stinking up the blog for far too long. Things are better. Much better. Yes, it took a while to get the outline right, but things are moving now, and I'm a good way into the rewrite. It's tougher going than the first draft, as going by an outline is more restricting a process than what I'm used to, but despite the missing feeling of "magic" that a first draft lends itself too I'm confident that the story is progressing. I'm hoping to finish the draft by the end of June.

Still no word on VMP, and I'm getting worried. More on that in future posts.

Labels:

2.23.2006

Slog

So I sat down today, with the new and improved outline. And then I had a moment where I was like, what am I doing, the story is fine, I should just keep going from where I was, so then I thought about that for a while, and stared at it for a while, and doodled, and played with Itunes, and then I realized I did need to rewrite it with the new outline, that my character, he simply didn't have enough to say to fill up 800 pages, so I absolutely had to shorten the plot.

This is, of course, the same conclusion I've come to several times before, but my rewrites have all been such failures, that I'm sort of punch-drunk and unsure of myself.

Anyway, it took the course of about 2 hours for me to come to this conclusion. And when I finally did come to it, the writing slogged. Man, writing sucks. This explanation of my head process makes no sense to the outside observer, and it's terribly boring to read about, but I go through this sh** all the time. Doubt. Temerity. Writing. Editing. More doubt. More temerity. More writing. More editing.

Labels:

2.22.2006

Yet Another Restart

Grrrrrrr.... So a couple of weeks ago I outlined the book. And then, this week and last, I began working off the new outline. I felt sprightly. I felt good.

On Monday, though, a niggling feeling of doubt began to creep in. Something wasn't right. I was taking a big chunk of material, and trying to jam it into the beginning half of the novel. I felt good about the first half of the novel...it's the second half that needs work, but in my head and in my outline, I needed to jam this stuff into the first half so that I could get the second half to work.

The jamming--it didn't work. So 10 days later, here I am, sinful and sorrowful. Starting a new outline...

Labels:

1.13.2006

Where Has All the Writing Gone?

So Christmas came and went, and then we went to Hawaii for a wedding, and now we're back negotiating the purchase of a new home, and all in all the writing has slipped away from me, and I sincerely hope I can push all the life-things aside to get back to the important task of being a novelist very soon.

Labels:

12.02.2005

Going Walden

I'm leaving tomorrow to spend a week at the Oregon Writer's Colony in Rockaway Beach. The place is a log cabin right on the water: it should be very spectacular and solitary, since the Oregon Coast in December is cold as hell and riddled with gale-force winds.

Labels:

11.22.2005

A Fine-Toothed Comb

I spent the last 2 days doing pretty much nothing but edit WLP. I've been a bitch to be around--working in a basement for 8 hours when the sky is fair in Portland makes me very grumpy.

I think that I'm accomplishing something, though. My analysis of the Gek-Lin/Uncle Charley sections went well. I cut 5 pages and smoothed over some rough edges. I'm also in the process of going through the whole novel and simply cutting out anything that I can get away with cutting. It's hard since my novel is so rhythmic, but there are sections where I got a little too clever, and I'm finding that I can dig out a clause here and a clause there out of some of my verbose wanderings.

Anyway, I long for the day when I'm recognized as the next Pynchon, and can pretty much write whatever the fuck I want without being harassed. There's disadvantages to writing that's accessible, the transparency lulls editors into thinking it's going to be easy to cut.

Labels:

11.17.2005

More Thinning

So a few weeks ago my editor asked me to shorten WLP again, and I've finally cleared some time in my schedule to work on it. It's not going to be an easy task, as I tightened it up quite a bit this summer and there isn't anything obvious to yank out.

There was always something not quite right about one of my plot threads, so this morning I tried something unusual. Basically, I pulled out all the text in which two of my characters appear, Gek-Lin and Uncle Charley, and I looked at the thread without any of the surrounding material.

It was a pretty cool process. I could immediately see flaws that I thought might be there but that I hadn't been able to get at when there were 100 pages between them. Anyway, was able to tighten things up a little between the characters this way. Should be able to pull out a little more tomorrow.

Labels:

10.16.2005

Hey Could You For Once Tell Us How the Writing Is Going?

Why yes, now that it’s actually going, I can.

On Friday, I finally had a break-through day where I was able to add four new pages that I was happy with to the book. For the last couple weeks, it’s been a lot of cutting and patching and scratching my head. Mostly, it’s just taken me a while to get back into the vibe of the material. Picking up a book helped. I discovered André Trocmé’s classic book Jesus and the Nonviolent Revolution on the racks at the Portland Public Library, and it's gotten me back into the spirit of my novel.

I know you're thinking yawn, and probably also you, Jim Frost, are reading a book about Jesus but it's a good read, especially if you're writing a book like AVMP.

Labels:

8.16.2005

Tense

So the fifth draft of the novel has just been completed. This was a draft I'd been dreading, because it was the draft in which I needed to go back and fix the tense of the entire novel.

I think, at least in the first 2/3rds of the book, that I pretty much accomplished by goal.

You wouldn't think that this would be that big of a deal. Either you write the book in the present or you write in the past. Once you've made that decision you just put it in automatic and drive. I, of course, had to go and be more vague about it, flip flopping based on what sounded better for each particular section. Sometimes, there was an immediacy to what was happening so I used the present, and sometimes there wasn't so I used the past. I used it almost like mph signs, present for the highway and the past for school zones. Anyway, I fixed it, sort of. Most of the book is now written in the present, except for events that took place before the time of the novel (i.e. Xerxes's flashbacks)

There were a few instances, in the latter part of the novel where I broke this rule. I'm sure my editor will point this out to me, and I'll have to try and explain myself. There were times when the present just didn't work, when the writing was too distant from the character and the moment too removed. So I wrote those sections in the past.

Anyway, the whole rewrite made me tense, I'm glad it's over. Now onto draft #6!

Labels:

7.29.2005

Visiting Ex-Girlfriends as Analogy for Revision

I finally sucked it up and started doing what I’ve known that I needed to do for weeks: rewrite the ending of the novel. Not edit, but actually rewrite. The process is like, well it’s excruciating. Imagine that you were an artist and you painted a painting in, say, the year 2000. Let’s say that painting was a portrait of a girlfriend you had at the time. Now, let’s say five years later, in the year 2005, you no longer had that girlfriend, that instead you had a completely different life with another woman, and that in fact you were now married to that new woman, and had a child, and really didn’t want to revisit the relationship with the other, more previous, woman.

So, stick with me here, it’s 2005 now, and some art dealer from New York pays you a buttload of money for the portrait of the ex-girlfriend, and you’re really happy to have the portrait of the woman off your hands, and some extra spending money to boot. But there’s one catch, and the catch is this: you have to make some changes to the painting. When you agreed to give the dealer your painting, you sort of waved this off as inconsequential, but now that you’re staring at this portrait of your ex-girlfriend, you suddenly realize something that you hadn’t thought of before--YOU DON’T REMEMBER WHAT YOUR EX-GIRLFRIEND LOOKS LIKE. You burned all your photos of her to stave off your new wife’s jealousies, and there’s just no way you can paint her unless you, well, unless you see her again.

OK, you see where I am at now. There are problems with visiting ex-girlfriends. For one, the ex-girlfriend surely doesn’t look the same, she’s changed, so when you redo the painting it’s going to be all f***** up, and for two, if you get too close to the ex-girlfriend, divorce, amongst other things, awaits.

Now, to tie things up, here’s what’s happened to me. You see, I was having a very hard time getting into the ‘space’ of the novel in order to rewrite it, so what I did was, I revisited the thing that caused the novel in the first place, this online game called Utopia. Now if you know me, you know that online gaming is my alcohol, once I’ve started drinking from it I can’t stop. My every thought, even when I’m not online, is the stupid game. So here I am, back in the ‘space’ of the novel, and it’s working, I care more, I’m writing new pages, but my wife, she’s going to f****** kill me, because every spare moment I can possibly muster, I spend down in the basement playing Utopia, rather than cleaning the house, or changing the diapers, or walking the dog, or any of the other myriad of things that a responsible parent and dog owner should be doing…

Labels:

7.11.2005

Steady As She Goes

I made it through my read-through. Things are starting to shape up a bit. Part II read much better this time around. There will be some minor changes to Parts III, IV, and V, including joining Part III and IV into a single part, but these changes are mostly structural and don't involve a lot of rewriting. The final part, as suspected, does need some additional writing due to the altered plot, but now I've pinpointed exactly where the writing needs to take place and what it needs to say, so I'll be able to do the work without feeling so lost in the text.

I'll be starting a third draft tomorrow. After this draft, I'll need to go through the entire manuscript one last time to fix some tense issues that I never resolved, and then, hopefully, mercifully, I'll be through with this thing so I can get my royalty check ;)

Labels:

6.01.2005

On Working on One Novel while You Really Want to be Working on Another Novel

I finished my first go-through of World Leader Pretend yesterday. I cut about a quarter of it. Most of the cuts involved cutting out the storyline of two characters, and keeping them on the periphery. There was also some significant cutting of some of what can only be described as a "chase scene," where one of the character's spends far too much time trying to identify a body near the end of the novel.

Incidentally, I just saw the movie Adaptation, which was good except for the last 20 minutes, which was mostly superfluous chase scene stuff. What is it about long chase scenes? They really suck.

I'm now moving into a rebuild, where I need to add some stuff back into the story to fill in the holes left by the cut. I'm kind of nervous about doing it, since I haven't written material for the book in about two years, and since I changed my style so much in the second novel.

In general, I'm feeling a litte queasy about the edits. My biggest concern is that the writing was really strong in many of the sections that I cut, and while it made sense to cut it, from a plot perspective, I'm worried that I'm left with a lot of not-as-strong writing in the last 3 books of the novel, and that this flaw is really exposed.

(I seem to be doing a lot of complaining today) I'm also just chomping at the bit to get back to A Very Minor Prophet. It's hard to be working on a novel you felt done with a long time ago, when a novel that feels more and more relavant by the day is sitting there un-worked on.

Of course, one of the worst things you can do when working on a novel is be in a hurry, so I have to do my best to keep the frustration from entering into my work, otherwise WLP is going to turn into a giant hack job.

Labels:

5.23.2005

More Discussion of the Deletion of Secondary Characters

I've been doing the deed over the last few weeks, eliminating Z____ and D_____ from World Leader Pretend. It's a little bit, I suppose, like losing old acquaintances, people who were important to you in college, but who got haircuts and became Wall Street brokers.

Losing them has been less painful than I imagined, my only concern is with how it's effecting the rest of the story. What I'm worried about is this: Z_____ and D______ were sort of my foil for the forward motion of the story. That is to say, throughout the middle part of the story, the reader reads on because they want to know what X_____ will do about the fact that Z______ and D______ are in rehab and that D_______ is pregnant with either X______'s or Z________'s child.

Without this, the story seems to lose some of it's punch--granted X______ is having his own new little love affair, and he also has his schizophrenic sister G_______ to worry about--but it's the thing that's far away and that he's ignoring that seems to be driving him to the online seclusion he buries him throughout the book.

Anyway.

Clearly, I'll have to revisit this once I finish the hacking. Perhaps, I'll end up leaving some of it in. Give the reader just enough information to know what is going on without spending 80 odd pages on Z_____ and D______ in rehab.

Labels:

5.03.2005

Pruning

I've been pruning the novel a bit lately, avoiding the major cuts, and happily snipping away at stuff that sticks out unnecessarily. My editor wrote me back an interesing note in regards to my question, "well, what if I don't want to cut that section that you want me to cut."
In the end it is your book and if you look at my edits and hate them, you're free to disregard everything.

Leave it to a New Yorker to be blunt.

Labels:

4.22.2005

Triathlon as Metaphor for Novel Writing

In my spare time I've been training for a triathlon. Given my asthma, the sympathy weight I gained (and never lost) while my wife was pregnant, and years and years of moderate drinking and light smoking (don't tell my HMO!), this isn't exactly something I'm a natural at.

All the books, however, tell me that all I have to do is practice. Run twice a week, bike twice a week, and swim twice a week, going a tad bit further every week; and eventually you'll be good enough to swim a mile, bike 24, and run 6 in somewhere reasonably close to 3 hours.

Well, I've been doing this now for about 2 1/2 months, and despite my skepticism about experts, it actually works. I'm in good shape, and was able to run my first sprint triathlon (1/2 the distance of a full tri) in a decent time.

It reminds me a lot of what it was like 10 years ago, before I'd written my first novel. I wanted to be a writer and I wanted to write novels, but I didn't know how to do it. I read Stephen King's book, On Writing, and kind of pooh-poohed his suggestion that if you write at least 1,000 words a day, even if you have no idea what to write about, you'll get used to the rhythms of writing. Eventually, when the little angel lands on your shoulder and hands you a plot, you'll know how to exploit it.

Years later, I tried out the Stephen King method (I should point out that Stephen King is neither the only nor the first author to suggest writing to a page count... rumor has it that Ernest Hemingway would actually end each day mid-sentence), and it turned out to be the only way I could churn out World Leader Pretend.

All of this was just a long lead in to get you to take a look at a former writing instructor's wonderful blog, Michelle's Daily Dose for Writers & Readers. Michelle suggests a writing exercise a few times a week on the blog, so if you run out of things to write about, take a tip from her.

Labels:

4.20.2005

X Marks Your Deleted Secondary Characters

So I got back my first batch of edits from St. Martin's yesterday, and the second batch followed today. I was warned that it wasn't going to be pretty, but it's difficult when you see a 20 page chunk of material with an X on every page, and you do the calculations. (Bye, bye, one week's worth of work.)

Depending on my blood sugar level, I feel either:

a) disgruntled and sure that this is just another means by which corporate America is trying to dilute the emotional power of an individual's work, ensuring that literature has no value other than as entertainment for people stuck someplace where they can't access a T.V.

or

b) happy that I have a razor-sharp editor who's willing to do the cutting that I was too cowardly to attempt myself.

I'm really hoping that my wife disposes of this ungodly good Irish Oatmeal cake soon that's been unreasonably boosting my glucose levels. These mood swings are killing me.

Labels: